https://docs.google.com/document/d/1eF6y8tlUD7-tPb0aB9gnIGSrOLrIV-LhsdJ0sqU7WjE/edit?usp=sharing
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THALLAPAKKA ANNAMACHARYAR'S
SRI VENKATA NAVARATHNAMALA
ANNAMAYYA JAYANTI & ARADHANA SONGS 9 GEMS OF ANNAMAYYA
(English,Tamil and Telugu)
Compiled, Translation and Transliteration by
GURU SEVAMANI
T S
Dr. Smt. THALLAPAKKA VENKATA MEENALOCHANI M.A(Music) PhD.,
12th Descendant of Annamacharya
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Title : ANNAMAYYA JAYANTHI/ARADHANA KEERTHANAS Pages : 48 Pages
Dimension : 21.5cm x 14cm
First Edition : 1998
Second Edition: 1999
Third Edition: 2004
Edition : 2022
Dr. Smt. THALLAPAKKA VENKATA MEENALOCHANI FOUNDER / TRUSTEE
SRI VENKATA ANNAMACHARYA TEMPLE OF FINEARTS (Unit of Sri Annamacharya Vamseekula
Sankeerthana Seva Mandali / Trust. Reg 407/02,
Gurusevamani, Dr. Smt. T.V. MEENALOCHANI,
A8/9, DABC Acacia, Mambakkam Main Road,
Mambakkam, Chennai – 600127.
Cell No. : 9384731651 / 9884701574 / 9080913624
Email Id : meenalochani_radha@yahoo.co.in
Printed By:
SRI BAGAWAN NAMA PUBLICATION
2/3 VINAYAGAM STREET,
WEST MAMBALAM, CHENNAI - 600 003, PH - 044 24893736 web:www.namalayam.org mail: ramamanthiram@gmail.com
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IN MEMORY OF
MY BELOVED PARENTS
11th DESCENDANTS
THALLAPAKKA VENKATA RAMANA CHARLU &
Smt. KAMALA CHARLU
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H.H. 45th Jeer - Ahobila Mutt
6Foreword
Foreword7
8Foreword
Foreword9
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ANNAMAYYA NIVASAM – Next to Varahaswami Temple, North Mada St. Tirumala
(This house has been demolished and has been constructed as path to Toilet and way to reach Pushkarani. There was a mandapam named “Dhwadasi Mandpam” with Anjaneya Swami vigraham where Annmayya sat and composed plenty of sankirthanas. This was also demolished unfortunately.)
May Lord Venkateshwara bless us to construct Annamayya Memorial Hall with Annamayya vigraham!
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SRI ANNAMACHARYA’S FAMILY
🠔
TIMMAKKA THALLAPAKKA ANNAMACHARYA
NARASIMMA
🠔(1408 - 1503 A.D)
🠔
🠔
AKKALAMMA
🠔
🠔
🠔 Narayana
Chinna
🠔
Appalarya
🠔Thirumalamba
Peddha Thirumalacharya
Annarya
🠔Annarya
🠔Peddha
Chinna Thiruven
Koneti Thiruven
🠔
🠔🠔
Thirumalai Ayyangar
Thiruven
galandhudu
galanadhudu
🠔
Thiruvenkadappa
🠔
Appalacharya 🠔
galanadhudu
Konnappacharlu
Seshacharlu
🠔🠔
Srinivasacharlu
🠔
Seshacharlu
🠔Ragavacharlu
🠔
🠔
Ananthacharlu (Wife Sampoornamma)
🠔
🠔Ragavacharlu
Anantha
Venkata
Seshacharlu (1899-1972) 🠔
🠔
🠔
🠔Krishna
🠔
🠔
Subba Narasu
🠔Lalitha
🠔
🠔
charlu
Ramancharlu
macharlu
Sathya Narayana
Padmavathamava
Srinivasa 🠔
🠔
Charlu
(alive)
🠔
Wife
CharluRama Charlu
Kamalacharlu Naga
🠔Hari Narayana Charlu
🠔
🠔Ragava
One son, 3 daughters 🠔
🠔
Elder daughter
bhushna Charlu
Seshacharlu
(Ravi)
🠔
Annamayya
Guru Sevamani Dr. Smt. Tallapakka Venkata Meenalochani Singer, Teacher Annamacharya Temple of Fine Arts Founder - Author of this book
(Rendering Annamayya
Sankeerthana Suprpadha Ekantha Seva and Kalyanothsava Seva Service to Lord Venkateswara)
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10th Descendants of Annamayya - Thallapakka Seshacharlu & Smt. Venkalakshmi, Thallapakka Suryanarayanayya & family
11th Descendant of Annamayya - Thallapakka Ananthacharlu and his wife along with 12th descendant Harinarayana Charlu
11th Descendant of Annamayya - Thallapakka Venkata Ramana Charlu & Smt. Kamala Charlu, 12th Descendant - Smt. T.V. Meenalochani & S. Radhakrishnan and Ms. R. Nagadeepika (Daughter)
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TANNAMAYYA ARADHANA/JAYANTHI SONGS INDEX
SL.NO SONG RAGAM THALAM 1 Hari Avatharamey Sowrashtram Adhi 2 Bhavamulona Suddha dhanyasi Adhi 3 Brahma Kadigina Mukari Adhi
4 Enthamathramuna Brindhavani &
Maya Malava Gowla Misrachapu
5 Podagantimayya Mohanam Adhi 6 Kondalalo Hindolam Adhi 7 Narayanathe Behak Adhi 8 Mudhugare Kurinji Adhi 9 Adivo alladhivo Madyamavathi Adhi
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THALLAPAKKA ANNAMACHARYAR'S
SRI VENKATA NAVARATHNAMALA
9 GEMS OF ANNAMAYYA
ANNAMAYYA ARADHANA AND JAYANTHI SONGS Annamayya Gurudhayana Slokam
Guru Vandhanam
Composer : Peddha Thirumalacharya S/o. Annamacharya Ragam : Bowli - 15 Mela Mayamalavagowla Janyam
Aro : Sa ri ga pa da sa
Ava: Sa ni da pa ga ri s
Srimath Thwatheeya Charithamrutha Mannayarya Peethwa Pinaiva Suhitham Manuja Bhaveyyugu Thwam Venkatachalapatheyriva Bhakthi Saaram Sri Thallapakka Gurudeva Namo Namasthey Namo Namasthey II
Ragam: Sowrashtram 17- Mela Suryakantham Janyam Aro : Sa Ri Ga Ma Pa Da Ni Sa
Ava : Sa Ni Da Pa Ma Ga Ma Ri Sa
PALLAVI
Hari Avatharamey Aathan Ethadu
Parama Sankeerthana Palamulo Niliphey (Hari) CHARANAM 1
Unnadu Vaikuntamuna Unnadu Acharyunutha
Unnathonnatha Mahima Annamayya
Unnavi Sankeerthanalu Ottuga Lokamulandu
Pannina Naradhadhulu Pye Pye Paadagaanu (Hari) CHARANAM 2
Sri Venkadathri meetha Sripathi Koluvunandhu
Aavahinchey Thallapakka Annamayya
Deyvathalu Munulunu Deyvundhani Jeyyavetta
Kovithudai Thirigadey Koneti Dhandanu (Hari)
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2. Bhavamulona Vol. 3 No.561.
Ragam: Suddha dhanyasi
Thalam: Adhi
Music: Nethanuri Krishnamurthy
PALLAVI
Bhavamulona Bahyamu Nandhunu Govinda,
Govinda ani Koluvavo manasa (Bhava) CHARANAM
1. Hariavatharamule Akhila devathalu
Harilonive Brahmandambulu
Harinamamule Anni Manthramulu
Hari Hari Hari Hari Hariyanavo Manasa (Bhava)
2. Vishnuni Mahimale Vihitha Karmamulu
Vishnuni Pogadeti Vedambulu
Vishnudokadey Viswantharathmudu
Vishnuvu Vishnuvani Vethakavo Manasa (Bhava)
3. Achuthudithade Adhiyunanthyamuamu
Achuthude Asuranthakudu
Achuthudu Sri Venkatadri Meedhanithe
Achutha Achutha Charananavo Manasa (Bhava)
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3 Brahma Kadigina Pathamu Vol. I. No.191
Ragam: Mukari
Thalam: Adhi
Music: Sri Rallapalli Anantha Krishna Sarma
PALLAVI
Brahma Kadigina Padhamu
Brahmamu thane Nee Padhamu (Brahma) CHARANAM
1. Chelagi vasudha kolichina nee padhamu
Bali Thala Mopina Padhamu
Thalakaga Gaganamu Thannina Pathamu
Balaripu kachina padhamu (Brahma)
2. Kamini papamu kadigina padhamu
Paamu thalanidina padhamu
Premapu Srisathi pisikedi padhamu
Pamidi thurakapu padhamu (Brahma)
3. Parama Yogulaku paripari vidhamula
Paramosagedi Nee Padhamu
Thiruvenkatagiri Thiramani Choopina
Parama padhamu Nee padhamu (Brahma)
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4 Enthamathramuna Vol. 3 No.393
Ragam : Raga Malika - Brindhavani & Maya Malava Gowla Thalam : Misrachapu
Music : Sri kadayanallur R. Venkataraman.
PALLAVI
Brindavani
Enthamathramuna Evvaru Thalachina Anthamathrame Neevu Antharantharamu lenchi Chooda pindanthe nippati annattlu (Entha)
CHARANAM
1. Koluthurumimu Vaishnavulu koorimitho vishnudani Palukuthuru mimu Vedhanthulu parapbrahmambanuchu Thalathuru mimu Saivulu Thagina Bakthulunu sivudanuchu Alari Pogaduthuru Kaapali kuladhi Bairavundanuchu (Entha)
Mayamalava Gowla
2. Sarinennudhuru Saaktheyulu Sakthi Rupu Neevanuchu dhari Sanamula Mimu Nana Vidhulanu Thalapula kolathula Bajinthuru Sirulamimune alpa Buddhi thalachina variki Alpam bavudhuvu Garimala mimune Ganamani Thalachina Gana budhdhulaku ganudavu (Entha)
3. Neevalane korathe ledhumari Neeru kolathi thameravu Avala Bhagirathi thari Bhavula Aajalame oorinayatlu Sri Venkatapathi Neevaithe mamu Chekoni Vunna deivamani Eevalane Nee Charananadhanu Edhiye parathathvamu Nakku (Entha)
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5 "Podagantimayya"
(Annamacharya Jeevitha Charithra P. 22)
Ragam : Mohanam
Thalam: Adhi
Music: Shri D. Pasupathi
PALLAVI
Podagantimayya mimmu Purushothama - Mammu Nedayakavayya Koneti Rayada (Poda)
CHARANAM
1 Korimammu nelinatti kula Daivama-Chala
Nerichi Pedhalichina Nidhanama
Garavinchi Dhappi Theerchu Kalamegama-maku Cheruva Chiththamuloni Srinivasuda (Poda)
2. Bhavimpa Kaivasamaina Parijathama-mammu Sevathera Kasinatti Chinthamani
Kavinchi Korikaliche Kamadhenuva - mammu
Thavai Rakshinchetti Dharaneedhara (Poda)
3. Chedaneeka Brathikinche Siddha Manthrama-Roga Ladachi Rakshinche Divyavshadhama
Badi Bayaka Thirigey Prana Bandhuda-mammu Gadiyinchinatti Shri Venkata Nadhuda (Poda)
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6. 'Kondalalo’ Vol 1 No.151
Ragam: Hindolam
Thalam: Adhi
Music : Sri M.S. Balasubramania Sarma
PALLAVI
Kondalalo Nelakonna Koneti Rayaduvadu
Kondalantha varamulu Guppedu vaadu (Kond) CHARANAM
1. Kummara Dasudaina kuruvarathy Nambi;
Immanna varamulella Ichinavadu
Dhommulu Chechinayatti Thondaman Jhakuravarthy Rammanna Chotiki vachi Namminna vadu (Kond)
2. Achapu vedugatho Ananthaluvariki
Muchili Vettigi Mannu Mochinavadu
Majjiga Tholaka Thirrumalanambi thodutha
Icha nicha Mataladi Nachinavadu (Kond)
3. Kanchilonanunda Thirukkachi nambi Meetha
Karuninchi Thanayadaku Rappinchina vadu
Encha Neckudaina Venkatesudu Manalaku
Manchivadai Karuna palinchina Vaadu (Kond)
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7. Narayanathe Namo Namo Vol II. 2.32
Ragam : Behag
Thalam: Adhi
Music : Shri M. Balamuralikrishna
PALLAVI
Narayanathe Namo Namo
Naratha Sannutha Namo Namo (Narayanathe) CHARANAM
1. Murahara Bavahara Mukuntha Madhava
Garuda gamana pankajanabha
Parama purusha Bava Bandha Vimochana
Naramruga Sareera Namo Namo (Narayanathe)
2. Jalathi Sayana Ravichandra Vilochana
Jalaruha Bhavanutha Charanayuga
Bali Bhandana Gopavathoo Vallabha
Nalinotharathe Namo namo (Narayanathe)
3. Aadhi Deva Sakalagama Poojitha
Yadhava Kula Mohana Roopa
Vedhodhdhara Shri Venkata Nayaka
Nathapriyathey Namo Namo (Narayanathe)
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8.Muthukare Yasoda' Vol 3 No.577
Ragam : Kurinji
Thalam: Adhi
Music: Shri Nethanuri Krishnamurthy
PALLAVI
Mudhugarey Yasodha mungity Muthyamu Veedu Tidhdharani Mahimala Devaki Sudhudu (Mudhugarey)
CHARANAM
1. Antha Nintha gollethala Arachethi Manickamu Panthamade Kamsuni Pali vajramu
Kanthula Moodulokala Garuda Pachapoosa
Chenthala Malonunna Chinni Krishnudu (Mudhugarey)
2. Rathikeli Rukminiki Rangumovi Pagadamu
Midhi Govardhanapu Gomedhikamu
Sathamai Sanka Chakrala Sandhula Vaiduryamu Gadhiyai Mammu Gache Kamalakshudu (Mudhugarey)
3. Kalinguni Thalalapai Kappina Pushyaragamu Yeleti Sri Venkatadhri Indhra Neelamu
Pala jalanidhilona Payani Divyarathnamu
Balunivala Thirigey Padhmanabhudu (Mudhugarey)
22
9 . Adivoo Alladivoo
Mangala Keerthanam
Ragam : Madyamavathi
Adhi - Thalam
PALLAVI
Adivo alladhivo sri Harivasamu
Padhivela Seyshula Padagalamayamu (Adhi) CHARANAM - 1
Adhey Venkatachala Makillonnathamu
Adhivo Brahmadhula Kapuroopamu
Adhivo Nithya Nivasa Akhilamunulaku
Adhey Choodu Adhey Mrokku Aanandhamayamu (Adhi) CHARANAM - 2
Chengatanalladhivo Seshachalamu
Ninginunna Devathala Nijavasamu
Mungita Nalladhivo Moolanunna Dhanamu
Bangaaru Sikharala Bahubrahmamayamu (Adhi) CHARANAM - 3
Kaivalya Padhamu Venkatanaga Madhivo
Srivenkata Pathiki Sirulainadhi
Bhavimpa Sakala Sampatharoopa Madhivo
Phavana Mulakella Phavana mayamu (Adhi)
23
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Origin and Greatness of 9 Gems (Nava Ratna) of Annamacharya
Sri Venkata Navarathna Mala is a compilation of 9 songs of Annamayya which consists of Annamayya Guru Vandhana Keerthana and Mangala Keerthana along with “Sapthagiri Keerthanas”. Sapthagiri Keerthanas (7 Songs) are sung during Annamayya Jayanthi Mahothsavam and Vardanthi i.e. Aradhana Mahothsavam just like that of Pancharathna Kritis sung during Saint Thyagaraja Aradhana.
This might raise a question. Why 9 Keerthanas have been selected as 9 gems even though we already have 7 songs compiled as Sapthagiri Keerthanas. The 7 Keerthanas steadily explains who Lord Venkateswara is, what all his qualities are and who all the beneficiaries of his benevolence are. It also elaborates what one should do to reach him and get his blessings. In Indian tradition, Guru always comes first and that is why Guru Keerthana has been added in the beginning. The “Annamayya Guru Vandhana Keerthana followed by Sapthagiri Keerthanas and Mangala Keerthana at the end is what we call as “Navaratha Mala” or 9 Gems. Let us now see how these songs are interrelated.
1. In the 1st song Guru Vandanam “Hari Avatharamey”, Peddha Thirumalacharya, Son of Annamacharya describes the greatness of his Guru and Father Annamayya. He says that Annamayya is none but incarnation of Hari himself who gave wonderful keerthanas to the world. He goes on to say that Annamayya is in Vaikundam holding the post of Acharya with Narada and other sages singing Annamayya’s songs. On the top of all, Lord of Venkatadri hills himself embraces him. He is very simple and wanders alongside the Koneru Pushkarani.
2. In the song “Bhavamulona” Annamayya asks us to just chant the Lord’s nama “Govinda Govinda”. If you find it difficult to say the 4 letter word you just chant the 2 letter word “Hari”. All mantras are imbibed in the word “Hari”. All Vedas are praise him, the killer of demons, he who is standing above Venkatadri Hills. So let us surrender to his lotus feet.
3. In spite of giving easy ways to worship Him, our mind is still not satisfied. So, now Annamayya in this keerthana “Brahma Kadigina Padhamu” explains the greatness of His feet. One may ask why feet is given importance. We cannot see the Lord
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directly. But when we catch (surrender) his feet He Himself will bow down and sees us. Annmayya says that it is that feet which is washed by Brahma, the Creator, it is the one which was rested on Maharaja Mahabali’s head, it is the one worshipped by all Devathas, it is the one which wiped off Ahalya’s sin, it is the one which danced on the hoods of the serpent Kalinga, it is the one which is soulfully massaged by Mahalakshmi herself. It is the same foot which is placed atop of Venkatadri Hills that gives moksha and exonerates one’s sin.
4. Now having explained the greatness of the feet, our silly minds still seeks more explanation as to why to believe in Sri Hari. In the next song “Enthamatramuna”, Annamayya talks about the Lord’s simplicity. He says that the Lord gives his blessings to whoever, at any time and how much as he is thought off. Vaishnavites see him as Vishnu, The Veda Pandits, Sages and Rishis see him as Parabrahma, Saivites see him as Lord Shiva, Kapaalikas see him as Bhairava and for Shakthi Upasakha he is Shakthi. Various people think about Him in various forms. However, all forms are inside Him – Lord Venkateshwara. Charanagati is the highest form of surrender, so surrender to Him.
5. Having now enlightened on the simplicity of The Lord, Annamayya now describes finest qualities of The Lord as we’re still in doubt of his qualities and want to know whether he is qualified enough to bless us. In this song “Podagantinmayya” he educates us about the qualities of the Lord as explained in Sri Vishnu Sahasra Nama. He says that the Lord is as much tall gigantic as he is the great among Purushas. He is the one governing His worshippers. He is the one who showers us with blessings just like the rain clouds quenches our thirst. He is the one who fulfils our wishes just like Kamadhenu, the divine cow. He is the the Divya Aushadam (Divine Medicine) to cure all our diseases (both physical and mental illness). He is the one who resides atop of the Venkatadri – our Kula Deivam who always help us during our hard times just like a loyal friend within a split of a second.
6. After hearing about his qualities, our mind seeks proof. Hence, Annamayya narrates the beneficiaries of The Lord in the next song “Kondalalo Nelakonna”. Annamayya says, residing in the
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Hill top, He grants innumerable boons to innumerable people. The potter Kuruvarathi Nambi, Emperor Thondaman, Ananthalwar, Thirumala Nambi, Thirukachi Nambi were all the devotees who got full blessings from the Lord Venkateswara who is kind hearted to give away blessings with his eyes shut.
7. Now we are completely aware of the qualities of the Lord. So our next question would be how to seek his blessings. Here in the next song “Narayanathe Namo” Annamayya instructs us to perform pooja by adding Namo Namo to various names of the Lord viz. Narayana, Madhava, Mukunda, Govinda which is chanted by the divine sage Narada. He says that it is the Lord Achyuta who is the destroyer of demons standing atop of this Venkatadri so praise him saying Achyuta Achyuta and prostrate before Him. This song has 2 special characteristics. The last line of the song says “Nadapriyathe” which means the Lord who loves Nada – means Music. Music consists of 7 Swaras and 7 Thalas and this song also happens to be no 7.
8. We now know how to seek His blessings. It is time for us to cherish his beauty and His sweet childhood. Through this song “Muddhugare Yashoda”, Annamayya recalls the sweet childhood of the Lord Krishna. Sri Krishna Avathar is the Paripoorna avathar (incarnation) of the Lord and it is the 8th Avatar and Lord Krishna is also 8th Child of Devaki and this song is also the 8th song of the 9 Gems which describes about Lord Krishna who seems like a pearl to Yashoda, Jade to the 3 Worlds, Coral for Rukmini, Komedhagam (cat’s eye) for the Govardhan Hills, Pushparagam (Yellow Sapphire) for Kalinga and he is the Indra Neelam (Blue Sapphire) when he stands atop of Venkatadri hill. He is in all form of Gem treasure that is found in Milky Ocean where he sits in the Lotus.
9. Yes, having learnt every detail about him we must see him, right? Annamayya now tells about His whereabouts in his next song “Adhivo Alladhivo”. There He is Sri Hari resting on the hills that looks like 10,000 snakes which has its hoods raised. The Hill is the purest of pure so just a mere visit or even a thought of the seven Hills make us wealthy.
Singing these 9 songs or even mere chanting these songs will definitely purify our minds and give us the right path to lead life.
44Achievements of our Mandali
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Doordarshan Podhigai program
Colors TV Bhajan Samrat Program
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Concert at Vellore TTD Temple - Smt. T.V. Meenalochani, Daughter - R.Nagadeepika and Grandson V. Shravan Karthikeyan
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